
Gertrude Stein was an avant-garde American writer, an eccentric, and a self-styled genius, whose Paris home was a salon for the leading artists and writers of the period between World Wars I and II.
Stein and her brother were among the first collectors of works by the Cubists and other experimental painters of the period, such as Pablo Picasso (who painted her portrait), Henri Matisse, and Georges Braque, several of whom became her friends. At her salon they mingled with expatriate American writers, such as Sherwood Anderson and Ernest Hemingway, and other visitors drawn by her literary reputation. Her literary and artistic judgments were revered, and her chance remarks could make or destroy reputations. In her own work, she attempted to parallel the theories of Cubism, specifically in her concentration on the illumination of the present moment and her use of slightly varied repetitions and extreme simplification and fragmentation.
Representative of the work being done by twentieth-century women artists, writers, and readers, Stein's writing gave readers an intimate sense of a woman's life and concerns. In a period when writers prided themselves on being able to shape language to new kinds of expressions, Gertrude Stein moved back into the most traditional relationship between writer and word: letting language find its own patterns, to express whatever meaning the reader might favor, viewing written art as a system of true and mutable communication.